Office Lighting Concept: Enhancing Productivity and Well-Being

You enter an office.

Even before the first conscious thought forms, something else defines the impression: the light.

It is this first, almost intangible feeling.
Before furniture, colors, or materials are consciously perceived, the body already reacts. To brightness. To contrasts. To direction.

If it is too harsh, the space immediately feels exhausting.
If it is too flat, orientation is lost.
If it is too dark, energy drops.
If it is too restless, a subtle tension emerges.

And this is exactly where the true quality of a well-designed lighting concept begins.

Because light does not only determine how a space looks.
It determines how it feels. How long you can stay focused.
How clearly you can think.

Full_Node_Empfang_designed_by_sds

Pictures: Full Node Office designed by Studio de Schutter

 
 
 

Why Office Lighting Is More Than Brightness

From a user’s perspective, it is surprisingly simple:
you want to be able to focus.
You don’t want to feel tired.
And you want to feel comfortable in the space without thinking about it.

You don’t want to question whether the light is “good”.
You only notice it when it isn’t.

What is often underestimated is the psychology of light.

Our brain constantly reacts to:

  • brightness

  • contrasts

  • light color

  • direction of light

  • transitions between light and shadow

These factors directly influence:

  • concentration

  • stress levels

  • attention

  • energy throughout the day

  • visual fatigue

Good lighting is not static.
It responds to use, time of day, and spatial structure.

And that is exactly the difference between lighting and design.

 

Lux at the Workplace: The Invisible Foundation

A term that is rarely consciously perceived, yet influences everything:
lux at the workplace.

It describes illuminance – how much light actually reaches the working surface.

What many do not realize:
it is not just about being “bright enough”.
It is about how that light is perceived.

Too little light reduces performance.
Too much light creates stress.
Light that is too uniform can even make orientation more difficult.

Balance is key.

Typical reference values:

  • around 500 lux for standard screen-based work

  • higher levels for precise tasks

  • lower levels for communication areas

  • individually adjusted levels depending on use and time of day

But what truly matters is not just the value itself,
it is how light is distributed within the space.

A homogeneous layer of light often feels lifeless.
It flattens the room and removes any sense of hierarchy.

A differentiated concept creates depth.
It sets accents, guides the eye, and supports how the space is used.

Because good light is not only measured in lux.
It is experienced in space.

 

Zones Instead of Uniformity

A modern office no longer functions as a single, uniform space.
It is a system of different situations that constantly shift throughout the day.

At times, it is about focused work.
At others, about exchange.
And sometimes, just quick conversations in passing.

And this is exactly how lighting should be approached.

Not as an even layer of illumination.
But as a differentiated system that supports and reveals these situations.

Typical lighting zones in an office:

  • Focus areas → clear, glare-free lighting that supports concentration and visual calm

  • Communication zones → softer, more inviting light that encourages interaction

  • Circulation areas → guidance and orientation through defined light paths and gradients

  • Retreat spaces → reduced, quieter lighting for relaxation and informal work

In addition, there are often transitional zones that combine multiple functions and therefore require flexible lighting solutions.

This differentiation allows the space to be understood intuitively.
Without signage. Without explanation.

You immediately know where you are – without thinking about it.

 

The Interplay of Direct and Indirect Light

Good office lighting never comes from a single source.
It is the result of a deliberate interplay between different types of light that complement and balance each other.

Direct light:

  • provides precision

  • brings clarity to the work surface

  • supports visual tasks

  • reduces eye strain during focused work

Indirect light:

  • opens up the space

  • softens harsh contrasts

  • creates atmosphere

  • makes surfaces feel calmer and more expansive

What matters is not just the presence of both types of light, but their relationship.

Too much direct light quickly feels technical and harsh.
Too much indirect light can appear diffuse and lacking in strength.

Only the right balance creates visual calm while maintaining functional clarity.

At the same time, spatial geometry, materials, and surfaces play a crucial role.
Reflections, ceiling heights, and wall finishes all influence how light is distributed within the space.

In the end, it is the combination that makes the difference.

 

Common Mistakes in Office Lighting

Many offices do not fail because of budget or space,
but because of missing planning.
Lighting is often considered too late – and that is exactly when problems begin.

The most common mistakes seem subtle at first,
yet have a significant impact on everyday use:

  • uniform grid lighting without differentiation

  • excessive contrast between screen and surroundings

  • incorrect light color

  • glare caused by poor positioning

  • no adaptation to different uses

In addition, there is often a lack of flexibility.
Once defined, the lighting remains unchanged
—even though working styles and requirements are constantly evolving.

 

Our Approach at Studio De Schutter

For us, light does not begin with the luminaire.
It begins with the space.

At Studio De Schutter, we consider lighting from the very beginning. Not as a technical addition, but as an integral part of architecture. This is how we create concepts that do not just function, but shape atmosphere, identity, and orientation.

Certificates SDS

We do not plan for the moment.
We plan for use, change, and perception over time.

 
 

Contact Us:

 
Sabine De Schutter

Founded in Berlin in 2015 by Belgian born Sabine De Schutter, Studio De Schutter reflects the strong belief that architectural lighting design is much more than just lighting up the built environment.

As independent lighting designers, the studio's focus is on user-centred design, because design is about creating meaningful spaces that positively affect people's lives. Studio De Schutter work focuses on creative lighting for working spaces, custom fixtures for heritage buildings to workshops and installations for public space.The studio's motto = #creativityisourcurrency

Sabine teaches at the HPI d.school, Hochschule Wismar, is an IALD member and the ambassador for Women in Lightingin Germany.

Studio De Schutter wurde 2015 von der in Belgien geborenen Sabine De Schutter (*1984) in Berlin gegründet. Die in Berlin lebende Designerin studierte Innenarchitektur in Antwerpen und Barcelona, hat einen zweiten Master-Abschluss in architektonischem Lichtdesign (HS Wismar) und studierte Design Thinking an der HPI d.school in Potsdam.

Das Studio De Schutter zeigt, dass es beim architektonischen Lichtdesign darum geht, Wahrnehmung zu formen und Erfahrungen zu schaffen. Für Studio De Schutter geht es beim Lichtdesign darum, eindrucksvolle Umgebungen zu schaffen, die das Leben der Menschen positiv beeinflussen. Der Benutzer steht im Mittelpunkt ihres Ansatzes und deshalb lassen sie und ihr Team sich nicht durch konventionelle Beleuchtungsstandards einschränken. Sie arbeiten eng mit ihren Kunden zusammen, um die Vision des Projekts und die Nutzerbedürfnisse zu verstehen und sie mit Licht zu akzentuieren. Das Studio De Schutter hat kreative Lichtlösungen für Arbeitsumgebungen, Lichtkunstinstallationen und kundenspezifische Leuchten in seinem Portfolio. Heute ist es ein vierköpfiges Team von internationalen Power-Frauen, die sich alle leidenschaftlich damit, wie Licht den Raum, die Erfahrungen und Emotionen formt, beschäftigt.

Sabine De Schutter lehrt an der Hochschule Wismar und ist Botschafterin für Women in Lighting (https://womeninlighting.com) in Deutschland.

https://www.studiodeschutter.com
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