Lighting Design and HOAI: What Clients and Architects Need to Know

Lighting Design & HOAI

The HOAI can describe quite precisely when a planning service takes place.

But it does not automatically tell you how good the lighting will ultimately be.

For clients and architects, a different question is therefore more important: What does professional lighting design actually include – from the first concept to the built reality?

Scope Which services are actually commissioned?
Timing When should the lighting designer join the project?
Interfaces What belongs to lighting design – and what belongs to electrical planning?
Fees What does “according to HOAI” actually mean today?

These are exactly the points where most misunderstandings arise in projects.

Not the question of whether a pendant luminaire should be round or linear.

First, an important distinction The HOAI is not a lighting design manual.

It structures and evaluates planning services. It replaces neither the lighting concept nor the project-specific definition of the scope of services.

Within the HOAI, lighting systems are included, among other areas, within the service profile for Technical Equipment. The basic services are divided into nine service phases.

Independent architectural lighting design, however, often includes much more specific tasks in practice: daylight, lighting effect, light distribution, luminaire selection, bespoke luminaires, mock-ups, controls, scenes, sampling and on-site fine-tuning.

This is why the statement “lighting design according to HOAI” is not sufficient on its own.

What matters is which services have actually been agreed within each phase.

Service phases create structure. Quality only emerges from a precisely defined scope.
LPH 1–9 The nine service phases – and what they can mean for lighting design

Within the Technical Equipment service profile, Section 55 HOAI assigns fixed percentage shares to the nine phases. For a lighting design project, these values are an important reference – but they are not an automatic fee distribution for an independent lighting designer.

LPH 1 2 %
Basic Evaluation

Understanding use, objectives, architecture, budget, existing systems and relevant interfaces.

LPH 2 9 %
Preliminary Design

Developing the first lighting idea, lighting principles, daylight approach, zones, lighting qualities and basic technical direction.

LPH 3 17 %
Design Development

The concept becomes concrete: luminaire typologies, positions, light distributions, calculations and control logic are coordinated.

LPH 4 2 %
Approval Planning

Approval-related requirements are integrated and coordinated where they affect the respective scope.

LPH 5 22 %
Detailed Design

An idea becomes a buildable solution: dimensions, installation details, positions, interfaces and technical information are refined.

LPH 6 7 %
Preparation of Tendering

Services and products are described in a way that makes quotations comparable and the intended lighting quality tenderable.

LPH 7 5 %
Participation in Tendering

Quotations are compared professionally, alternatives are assessed and decisions for awarding contracts are prepared.

LPH 8 35 %
Site Supervision

The built execution is checked against the design and contractual basis. With lighting in particular, the real space now becomes decisive.

LPH 9 1 %
Post-Completion Support

Follow-up support, defect-related topics and further services after completion can form part of this phase.

Important: The percentages correspond to the weighting of the Technical Equipment service profile under Section 55 HOAI. They do not automatically represent a universally applicable fee distribution for every independent lighting design commission.
What is easy to overlook: the greatest leverage often lies in the early phases

LPH 1 and 2 have comparatively small percentage shares in the formal HOAI weighting.

For spatial quality, however, they can still be decisive.

At this stage, ceilings are not yet closed. Furniture layouts can still respond. Lighting lines can be developed with the architecture rather than against it. Daylight can still influence layout, openings and controls.

The later lighting design begins, the more often design is reduced to product selection.

The Loop in Düsseldorf with lighting design by Studio De Schutter
The Loop · Düsseldorf — Studio De Schutter accompanied the project through LPH 1–8. The scope included the lighting concept, bespoke luminaire development as well as lighting control planning and programming. This shows clearly that the service phase alone does not describe the full depth of the work.
LPH 1–2 Before the geometry is fixed

Early on, the focus is less on specific product numbers and more on principles.

Which activities take place? Where does daylight enter? Which surfaces should appear bright? Where do accents make sense? Which areas require flexibility? Which lighting scenes should later be available?

A good result begins with a spatial strategy – not with a luminaire catalogue.

LPH 3–4 From effect to planning

Design decisions now need to become technically legible.

Light distribution, luminaire positions, colour temperature, colour rendering, glare control, illuminance levels, control principles and architectural integration become more concrete.

Calculations can verify whether defined requirements are achieved. But they do not replace the decision of which surfaces should actually be prioritised.

LPH 5–7 From design to a procurable system

At this stage at the latest, it becomes clear whether the concept and technical planning really work together.

Installation heights. Ceiling details. Luminaire schedules. Drivers. Optics. Switching groups. Interfaces. Tender specifications.

Alternative products also need to be assessed professionally. Two luminaires with a similar wattage or similar lumen output do not automatically create the same lighting effect.

LPH 8–9 The plan meets the real space

Some things only become fully visible once the space has been built: real reflections, viewing angles, material surfaces, furniture and the actual effect of dimming levels.

Site supervision, aiming, scene setting, programming and fine-tuning should therefore be clarified early within the scope of services.

Not every one of these services is automatically included simply because an offer states “LPH 8”.

The crucial interface Lighting designers and electrical engineers do not design the same thing.
Architecture / Interior Design

Spatial geometry, ceilings, materials, furniture, details and the overall design context form the architectural basis.

Lighting Design

Lighting effect, visual hierarchy, light distribution, luminaire quality, positioning, optics, scenes and project-specific lighting details are at the core.

Electrical / MEP Planning

Power supply, circuits, distribution boards, cable routing, protection systems and electrical infrastructure are planned and coordinated professionally.

The actual boundary depends on the project. Controls, bus systems, emergency lighting, connection points and luminaire tendering should therefore be clearly assigned to one planning discipline. Otherwise, either a gap is created – or the same service is planned twice.
Interfaces should be defined by function – not only by discipline

“The lighting designer does the light, the electrician does the electricity” sounds simple.

For a complex project, it is usually too vague.

Who defines the DALI groups? Who writes the scene matrix? Who determines which luminaire must be individually addressable? Who checks compatibility between driver and control system? Who programs the system? Who approves the scenes at the end?

These questions should be resolved before the technical planning is already far advanced.

When to get involved? You can usually recognise late lighting design in the details.
The ceiling has already been fully designed.

Luminaires then have to fit into a grid that was developed without considering their installation dimensions, lighting effect or maintenance.

The budget is already based on quantities.

An early assumption quickly becomes a financial reality even though the lighting concept has not yet been developed.

The control system has already been fixed.

Desired scenes may later fail because groups, addresses or interfaces are missing.

There is no accessible location for drivers.

A detail invisible in the rendering becomes a maintenance problem years later.

Lighting design begins with a product list.

The question of what spatial task each luminaire is actually meant to perform is then often missing.

Coreum Hotel reception with architectural lighting design by Studio De Schutter
Coreum Hotel · Stockstadt am Rhein — here, Studio De Schutter's scope began with LPH 2 and continued through LPH 8. The project illustrates why not every commission necessarily needs to begin with exactly the same service phases.
LPH does not equal scope Two offers covering “LPH 1–8” can still contain completely different services.

Especially in lighting design, it is worth looking beyond the headline of the proposal.

Daylight

Are daylight studies, shading or coordination between natural and artificial light included?

Lighting Calculations

Which spaces will be calculated, to what level of detail and for which requirements?

Visualisations & Mock-ups

Are renderings, samples or 1:1 tests part of the commission or additional services?

Bespoke Luminaires

Who develops, details and coordinates project-specific luminaires?

Lighting Controls

Does the scope extend only to scene logic – or also to programming and commissioning?

Fine-Tuning

Are spotlight aiming, dimming values and final scene settings on site included?

This is exactly why “we only need a lighting concept” is often not a small commission

A concept can mean two very different things.

Version one: a few reference images, luminaire families and a rough lighting idea.

Version two: a robust strategy covering daylight, lighting zones, luminaire positions, calculations, control principles, installation details and coordinated interfaces.

Both may be called a “concept”.

From a planning perspective, they are not the same.

Kita Mittenwalde with lighting design by Studio De Schutter
Kita Mittenwalde — LPH 1–8. In a project like this, lighting design does not begin with selecting individual luminaires, but with users, daylight, glare, different room functions and the question of how the concept can be built economically.
Fees “According to HOAI” does not mean the price is already fixed.

The current HOAI fee tables serve as orientation values. The fee is generally agreed between the contracting parties.

If no fee amount for basic services is agreed in text form, Section 7 HOAI provides for the respective basic fee rate under the conditions stated there.

More important in practice Do not only ask about percentages. Ask about scope.

A fee does not become understandable simply because “LPH 1–8” is written next to it.

Relevant factors include the service profile, fee zone, chargeable costs, commissioned phases and additional or special services.

For independent lighting design, the contract should therefore describe particularly clearly which lighting design tasks are actually included.

One point the traditional HOAI structure does not fully explain on its own

Architectural lighting design operates between design and technology.

This is precisely why the German Lighting Technology Society has developed its own service profiles for daylight and artificial lighting and updated them in 2025.

They define the work of lighting design as an independent specialist discipline in greater detail than the traditional HOAI service profiles alone.

For clients, this means above all: The HOAI structure is a very useful common language for the project process – but the lighting design contract still needs a precise description of services.

Checklist for clients and architects A lighting design proposal should make these points clear
Which service phases are included?
Are complete phases or only partial services commissioned?
Are daylight studies part of the scope?
Which lighting calculations are included?
Who plans emergency and safety lighting?
Who defines switching groups and control logic?
Is lighting control programming included?
Are mock-ups or samples included?
Who develops and details bespoke luminaires?
How are alternative products assessed during tendering?
How many site visits are included?
Is professional acceptance part of the scope?
Are spotlight aiming and fine-tuning included?
Who documents scenes and final settings?
Where does lighting design end and electrical planning begin?
Which services are charged separately?
LPH 8 is particularly visible in lighting

A ventilation duct can function technically without a user consciously noticing its exact position.

Light behaves differently.

A spotlight is aimed five degrees incorrectly. A scene is too bright. An artwork develops reflections. A table sits outside the beam. A wall appears flatter than intended.

These things only become fully apparent in the built space.

This is why commissioning should answer one question clearly: Who takes responsibility for the final adjustment between the design and the actual lighting effect?

Château Bénat with restrained architectural lighting design by Studio De Schutter
Château Bénat · French Riviera — the project covered LPH 1–8 including fine-tuning. Especially with restrained lighting concepts, small adjustments to aiming and intensity in the built space determine whether the intended hierarchy actually works.
Does every project really need all service phases?

No.

A project may already be further advanced. Certain services may already be covered by other specialist planners. Some phases may only be partly relevant to the specific scope.

Studio De Schutter therefore works with different commissioning scopes depending on the project. Projects such as The Loop, Kita Mittenwalde and Château Bénat are documented with LPH 1–8. At Coreum Hotel, for example, the commission began with LPH 2 and continued through LPH 8.

The goal is not to list as many phases as possible.

The goal is to ensure that no relevant task disappears between two responsibilities.

Project Practice One service-phase model. Very different planning tasks.
The Loop

LPH 1–8 including lighting concept, bespoke luminaire development, control planning and programming.

View project →
Kita Mittenwalde

LPH 1–8 with user-oriented lighting design for an educational building and close interaction between daylight and artificial light.

View project →
Coreum Hotel

LPH 2–8 including architectural lighting consultancy, project-specific luminaire development and scene setting.

View project →
Château Bénat

LPH 1–8 including fine-tuning for an extensive historic residential project.

View project →
Frequently Asked Questions Lighting Design and HOAI
Is lighting design included in the HOAI?

Lighting systems are included within the HOAI, among other areas, under the Technical Equipment service profile. Independent architectural lighting design is not formulated as a completely separate HOAI service profile. The specific scope of lighting design should therefore be clearly described contractually.

What are the HOAI service phases?

The HOAI distinguishes nine service phases: basic evaluation, preliminary design, design development, approval planning, detailed design, preparation of tendering, participation in tendering, site supervision and post-completion support.

Does a lighting designer always need to cover LPH 1 to 9?

No. Service phases and partial services can be commissioned on a project-specific basis. What matters is that interfaces and non-commissioned services are clearly defined so that no planning gaps arise.

When should a lighting designer join the project?

Ideally before major decisions about ceilings, materials, furniture and controls have been fixed. The earlier light is considered as part of the architecture, the easier it becomes to coordinate installation details, daylight, controls and budget effectively.

What is the difference between a lighting designer and an electrical engineer?

The lighting designer typically focuses on lighting effect, visual quality, luminaires, light distribution, positions and scenes. Electrical planning typically covers the electrical infrastructure. The precise interface should be contractually defined for each project.

Is the fee fixed by the HOAI?

No. The fee tables now serve as orientation values. The contracting parties agree the fee. For basic services, Section 7 HOAI provides for the basic fee rate under the stated conditions if no corresponding fee agreement has been made in text form.

What happens in LPH 8 in lighting design?

During site supervision, the built execution is checked against the planning and contractual basis. Lighting-specific services such as site coordination, professional acceptance, spotlight aiming, scene setting or fine-tuning may also be relevant. Whether these specific services are included should be expressly clarified in the commission.

What are special services in lighting design?

Depending on the project, more detailed simulations, specific daylight studies, mock-ups, bespoke luminaire development or other project-specific tasks may be commissioned additionally. Their exact classification depends on the respective service profile and contract.

Professional note: The HOAI is a German fee regulation for architectural and engineering services and does not replace project-specific contractual or legal advice. The scope of services and interfaces should be clearly agreed for each commission. Further information: Section 55 HOAI, Appendix 15 HOAI and Section 7 HOAI.
Good lighting design does not end with the concept.

It needs to continue through planning, tendering, execution and into the built space.

Depending on the project, Studio De Schutter accompanies different service phases – from the first lighting strategy through implementation and on-site fine-tuning.

What matters is not only which LPH is commissioned. What matters is what is actually delivered within that phase.

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Sabine De Schutter

Founded in Berlin in 2015 by Belgian born Sabine De Schutter, Studio De Schutter reflects the strong belief that architectural lighting design is much more than just lighting up the built environment.

As independent lighting designers, the studio's focus is on user-centred design, because design is about creating meaningful spaces that positively affect people's lives. Studio De Schutter work focuses on creative lighting for working spaces, custom fixtures for heritage buildings to workshops and installations for public space.The studio's motto = #creativityisourcurrency

Sabine teaches at the HPI d.school, Hochschule Wismar, is an IALD member and the ambassador for Women in Lightingin Germany.

Studio De Schutter wurde 2015 von der in Belgien geborenen Sabine De Schutter (*1984) in Berlin gegründet. Die in Berlin lebende Designerin studierte Innenarchitektur in Antwerpen und Barcelona, hat einen zweiten Master-Abschluss in architektonischem Lichtdesign (HS Wismar) und studierte Design Thinking an der HPI d.school in Potsdam.

Das Studio De Schutter zeigt, dass es beim architektonischen Lichtdesign darum geht, Wahrnehmung zu formen und Erfahrungen zu schaffen. Für Studio De Schutter geht es beim Lichtdesign darum, eindrucksvolle Umgebungen zu schaffen, die das Leben der Menschen positiv beeinflussen. Der Benutzer steht im Mittelpunkt ihres Ansatzes und deshalb lassen sie und ihr Team sich nicht durch konventionelle Beleuchtungsstandards einschränken. Sie arbeiten eng mit ihren Kunden zusammen, um die Vision des Projekts und die Nutzerbedürfnisse zu verstehen und sie mit Licht zu akzentuieren. Das Studio De Schutter hat kreative Lichtlösungen für Arbeitsumgebungen, Lichtkunstinstallationen und kundenspezifische Leuchten in seinem Portfolio. Heute ist es ein vierköpfiges Team von internationalen Power-Frauen, die sich alle leidenschaftlich damit, wie Licht den Raum, die Erfahrungen und Emotionen formt, beschäftigt.

Sabine De Schutter lehrt an der Hochschule Wismar und ist Botschafterin für Women in Lighting (https://womeninlighting.com) in Deutschland.

https://www.studiodeschutter.com
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