Kitchen Lighting: Typical Mistakes and How to Avoid

The kitchen is no longer just a functional space.
In high-end private residences, open-plan kitchens, as well as in office projects, show kitchens, or restaurant kitchens in luxury hotels, it has become a visible and representative place. A space that is used, observed, and experienced.

This is exactly where the precision of lighting design becomes apparent.
Or where its absence is felt.

Light determines whether materials feel refined,
whether spaces are read calmly,
and whether working in the kitchen feels effortless or demanding.

 

Why Kitchen Lighting So Often Falls Short

Many clients invest in top-tier appliances, custom-built cabinetry, and premium materials. When it comes to lighting, however, decisions are often reduced to standard solutions. Bright enough, dimmable, done.

What is frequently underestimated is that the kitchen combines more demands than almost any other space. It requires precision for tasks, clear orientation, a high level of comfort, and often a direct connection to living or guest areas.

Without a conceptual lighting approach, mistakes emerge that can make even the most high-end kitchens feel restless, exhausting, or generic.

 
 

Kitchen Lighting Error Checklist ✓

If you can tick off the following points for your kitchen, you have already avoided the most common and most impactful mistakes in kitchen lighting. This checklist is not about perfection, but about awareness. Each point represents a typical weak spot that directly affects comfort, functionality, and perceived quality.

01One single light for the entire space

One central ceiling light is expected to do everything: task lighting, orientation, atmosphere. This does not work.

Kitchens require different lighting zones. Work surfaces, circulation areas, transitions to living spaces, and calm background lighting all have distinct requirements.

Typical consequences of a one-light solution:

  • shadows on work surfaces
  • harsh contrasts within the space
  • lack of depth and structure

Good kitchen lighting works in layers. Direct light where precision is required. Indirect light where calm should emerge.

02Task lighting without spatial awareness

Task lighting is often planned purely from a technical perspective. Bright spots, high output, as uniform as possible.

The problem: kitchens are not laboratories. Light interacts with people, bodies, and lines of sight.

Common mistakes:

  • spots positioned directly above head height
  • light that causes glare instead of illuminating surfaces
  • hard light cones on glossy materials

Professional lighting design aligns task lighting not only with standards, but with perception and movement within the space.

Precision in lighting comes from restraint, not from intensity.

03Glare treated as a minor issue

Glare destroys spatial quality instantly. Yet it is repeatedly overlooked in kitchens.

High-end materials amplify the problem. Stone, glass, metal, and lacquer reflect light mercilessly when beam angles and positioning are not right.

This becomes particularly critical:

  • in open-plan kitchens
  • in visible restaurant kitchens
  • in hotel projects with direct guest views

Glare-free lighting is not a comfort feature. It is a prerequisite for visual calm.

04Lighting is introduced too late in the process

When lighting is considered only after the kitchen and architecture are already defined, compromises are inevitable.

Typical consequences:

  • missing installation depths
  • visible luminaires where they were never intended
  • indirect lighting cut due to lack of detailing

High-quality projects integrate lighting from the very beginning. Into ceilings, furniture, transitions, and spatial edges.

05The light colour does not match the materials

Light colour is often chosen generically. Warm or neutral, depending on taste. But materials react very differently to light.

What often goes wrong:

  • wood appears grey or flat
  • natural stone loses depth
  • food looks unnatural

In high-end kitchens, light colour is not a stylistic choice, but a precise design tool.

Materials only tell their story when the light knows how to read them.

06No scenes, no transitions

Many kitchens know only two states. On or off. Bright or dark.

What is missing is adaptation to the rhythm of the day and to different modes of use.

Without lighting scenes, this is what happens:

  • unnecessary restlessness in the evening
  • lack of flexibility in everyday use
  • a kitchen that never quite feels right

Good kitchen lighting changes. Subtly, intuitively, and situation by situation.

 
 

How to Do It Better

High-quality kitchen lighting is not the result of more technology, but of more precise planning. What matters most is that light is understood as an integral part of the space from the very beginning, not as an afterthought. Good kitchen lighting follows clear principles that prove effective across projects, regardless of scale or context.

What truly makes the difference:

  • Clear lighting zones instead of uniform brightness
    Work surfaces, circulation areas, and transitions to living spaces require different lighting qualities. Zoning creates orientation, depth, and a calm spatial reading.

  • Glare-free, well-positioned light sources
    Light should illuminate surfaces, not cause glare. Visible light sources, incorrect beam angles, or harsh contrasts introduce visual unrest and reduce perceived quality.

  • Coordinated light colours and brightness levels
    Materials react sensitively to light. Wood, stone, and finishes only appear refined when colour temperature and intensity are chosen deliberately.

  • Integration into architecture and furniture
    Light works best when it does not draw attention to itself. In high-end kitchens, it is integrated into ceilings, cabinetry, and spatial edges—subtle, not decorative.

  • Flexible scenes for different uses
    Cooking, working, socialising, or cleaning each demand different atmospheres. Lighting scenes allow smooth transitions throughout the day.

Whether it is a private luxury kitchen, an office project, or an open restaurant kitchen, the principles remain the same.
Only their expression changes.

EISENBAHNSTRASSE_Kueche

Private Proect: - Eisenbahnstrasse:Designed by Studio De Schutter

 

Studio De Schutter designs kitchen lighting

Our lighting concepts are guided by use, materiality, and perception. They create clarity for work and calm within the space. And they perform wherever kitchens become visible—within private residences as well as in professional contexts.

Lighting design at Studio De Schutter does not begin with products.
Each space is understood as its own context, not as a repeatable formula—especially in the kitchen.

 
 

Contact Us:

 
Sabine De Schutter

Founded in Berlin in 2015 by Belgian born Sabine De Schutter, Studio De Schutter reflects the strong belief that architectural lighting design is much more than just lighting up the built environment.

As independent lighting designers, the studio's focus is on user-centred design, because design is about creating meaningful spaces that positively affect people's lives. Studio De Schutter work focuses on creative lighting for working spaces, custom fixtures for heritage buildings to workshops and installations for public space.The studio's motto = #creativityisourcurrency

Sabine teaches at the HPI d.school, Hochschule Wismar, is an IALD member and the ambassador for Women in Lightingin Germany.

Studio De Schutter wurde 2015 von der in Belgien geborenen Sabine De Schutter (*1984) in Berlin gegründet. Die in Berlin lebende Designerin studierte Innenarchitektur in Antwerpen und Barcelona, hat einen zweiten Master-Abschluss in architektonischem Lichtdesign (HS Wismar) und studierte Design Thinking an der HPI d.school in Potsdam.

Das Studio De Schutter zeigt, dass es beim architektonischen Lichtdesign darum geht, Wahrnehmung zu formen und Erfahrungen zu schaffen. Für Studio De Schutter geht es beim Lichtdesign darum, eindrucksvolle Umgebungen zu schaffen, die das Leben der Menschen positiv beeinflussen. Der Benutzer steht im Mittelpunkt ihres Ansatzes und deshalb lassen sie und ihr Team sich nicht durch konventionelle Beleuchtungsstandards einschränken. Sie arbeiten eng mit ihren Kunden zusammen, um die Vision des Projekts und die Nutzerbedürfnisse zu verstehen und sie mit Licht zu akzentuieren. Das Studio De Schutter hat kreative Lichtlösungen für Arbeitsumgebungen, Lichtkunstinstallationen und kundenspezifische Leuchten in seinem Portfolio. Heute ist es ein vierköpfiges Team von internationalen Power-Frauen, die sich alle leidenschaftlich damit, wie Licht den Raum, die Erfahrungen und Emotionen formt, beschäftigt.

Sabine De Schutter lehrt an der Hochschule Wismar und ist Botschafterin für Women in Lighting (https://womeninlighting.com) in Deutschland.

https://www.studiodeschutter.com
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