Programming Casambi: 6 Steps for Thoughtful Lighting Control

Lighting control often sounds more technical than it actually is.

Open the app. Connect luminaires. Save scenes.

Done.

At least that is how it appears at first glance.

In practice, however, the real work only begins afterwards.

Because good Casambi programming does not mean activating as many functions as possible. It means organising light in a way that aligns with use, architecture and future changes.

This is exactly why Casambi is now being used in more and more projects.

Existing buildings. Gastronomy. Hotels. Offices. Flexible working environments.

Especially where traditional wiring becomes difficult or projects need to remain adaptable.

Good lighting control does not begin when luminaires are connected.

It begins with understanding how the space will be used.

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Step 1: Define the Use First

The most common mistake happens right at the beginning.

Many projects start with technology.

We recommend the opposite.

Start with the use.

Questions can be:

  • How does the space change throughout the day?

  • Which zones require different lighting levels?

  • Are there changing uses?

  • Where do people work?

  • Where does communication happen?

  • Which areas should remain independently controllable?

Only after this should the actual Casambi programming begin.

Because lighting groups are not created from luminaires.

They are created from behaviour.

 

Step 2: Group Luminaires Logically

Not every luminaire needs its own control.

And not every group should become as large as possible.

A good Casambi structure often works with different layers:

Level 1

Functional areas

For example:

Reception

Workspace

Meeting area

Lounge

Wayfinding

Level 2

Lighting functions

For example:

Ambient lighting

Accent lighting

Pendant luminaires

Wall lighting

 

Step 3: Do Not Overload Scenes

Casambi can do a lot.

But that does not mean everything should be used.

We often see projects with:

12 scenes
15 groups
8 special modes

In the end, the user uses two.

A good rule is:

Fewer scenes.
But clearly understandable.

Example for hospitality projects:

Day operation

Evening operation

Cleaning

Event

More is often not required.

The control remains simple.

The use remains intuitive.

 

Step 4: Use Sensors Intentionally

Sensors often appear to be purely technical.

But they are not.

They directly influence how a space is used.

Possible applications:

Presence control

Daylight control

Time schedules

Automatic dimming

Energy optimisation

What is important:

Not every space needs maximum automation.

Sometimes a manual adjustment makes more sense.

Too much automation can also take away control.

The best solution often lies somewhere in between.

 

Step 5: Plan Flexibility for Future Changes

This is where Casambi shows its real strength.

Many buildings change over time.

Workspaces move.
Uses change.
Tenants have new requirements.

If the programming has been structured properly, groups and scenes can often be adapted much more easily later on.

Especially in existing buildings, this is a major advantage.

The lighting design remains flexible.

And this is often where the more sustainable solution lies.

Not rebuilding everything.

But continuing to develop it.

 

Step 6: Do Not Forget Documentation

The most inconspicuous step.

And often the most important one.

Good Casambi programming does not end with the last scene.

It ends with documentation.

This includes:

Group structure

Scene overview

Sensor logic

Time schedules

Naming of all components

Revision status

Without this information, every later adjustment becomes more difficult.

With it, the project remains understandable.

Even years later.

 
Mistake Consequence
Grouping by luminaires instead of use The control feels technical, but not intuitive.
Too many scenes Users lose orientation and only use a fraction of them.
No documentation Later adjustments become unnecessarily complex.
Too much automation The space reacts, but the user loses control.
Missing reserves New uses become difficult to integrate.
No clear logic The system becomes more complex with every change.
 

Why Studio De Schutter Looks at Casambi Differently

For us, Casambi does not begin with Bluetooth.

And not with the app either.

It begins with one question:

How is the space used?

Only after that come groups.

Scenes.

Sensors.

Control.

We see Casambi as part of a lighting concept.

Not as a technical layer that is added afterwards.

 
 

Contact Us:

 
Sabine De Schutter

Founded in Berlin in 2015 by Belgian born Sabine De Schutter, Studio De Schutter reflects the strong belief that architectural lighting design is much more than just lighting up the built environment.

As independent lighting designers, the studio's focus is on user-centred design, because design is about creating meaningful spaces that positively affect people's lives. Studio De Schutter work focuses on creative lighting for working spaces, custom fixtures for heritage buildings to workshops and installations for public space.The studio's motto = #creativityisourcurrency

Sabine teaches at the HPI d.school, Hochschule Wismar, is an IALD member and the ambassador for Women in Lightingin Germany.

Studio De Schutter wurde 2015 von der in Belgien geborenen Sabine De Schutter (*1984) in Berlin gegründet. Die in Berlin lebende Designerin studierte Innenarchitektur in Antwerpen und Barcelona, hat einen zweiten Master-Abschluss in architektonischem Lichtdesign (HS Wismar) und studierte Design Thinking an der HPI d.school in Potsdam.

Das Studio De Schutter zeigt, dass es beim architektonischen Lichtdesign darum geht, Wahrnehmung zu formen und Erfahrungen zu schaffen. Für Studio De Schutter geht es beim Lichtdesign darum, eindrucksvolle Umgebungen zu schaffen, die das Leben der Menschen positiv beeinflussen. Der Benutzer steht im Mittelpunkt ihres Ansatzes und deshalb lassen sie und ihr Team sich nicht durch konventionelle Beleuchtungsstandards einschränken. Sie arbeiten eng mit ihren Kunden zusammen, um die Vision des Projekts und die Nutzerbedürfnisse zu verstehen und sie mit Licht zu akzentuieren. Das Studio De Schutter hat kreative Lichtlösungen für Arbeitsumgebungen, Lichtkunstinstallationen und kundenspezifische Leuchten in seinem Portfolio. Heute ist es ein vierköpfiges Team von internationalen Power-Frauen, die sich alle leidenschaftlich damit, wie Licht den Raum, die Erfahrungen und Emotionen formt, beschäftigt.

Sabine De Schutter lehrt an der Hochschule Wismar und ist Botschafterin für Women in Lighting (https://womeninlighting.com) in Deutschland.

https://www.studiodeschutter.com
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