Lux at the Workplace: What Do You Really Need in Practice?

The question of proper lighting accompanies almost every office, workshop, and laboratory. Time and again, the term lux at the workplace appears. Official reference values can be useful, but in real life, the gap between theory and practice becomes clear very quickly.

Standards vs. Reality

Standards such as DIN EN 12464-1 recommend fixed levels, for instance 500 lux (average illumination on the workplane) for typical office work. But these are based on average situations. In reality, many factors determine how much light is truly appropriate:

🌐 Screen work requires different light qualities than precise manual tasks.

🌿 Daylight strongly influences perception and often reduces the need for artificial lighting.

👥 Personal preferences vary widely, some prefer bright environments, others feel more comfortable in softer light.

Why Standards Don’t Tell the Whole Story

Lighting standards have been revised several times, often raising requirements. As lighting designers, we sometimes see this as lobby-driven. More lux does not automatically mean better lighting. What matters is how light interacts with the space and the people using it.

Our Recommendation

So, how much light does a workplace really need? The honest answer is: it depends. No one-size-fits-all solution exists. We analyze each project individually, taking into account architecture, materials, and available daylight. In naturally bright buildings, less artificial lighting is needed, in deeper or north-facing spaces, lighting must be layered and carefully tuned.

Light is Personal

Our eyes age, our lenses become yellower, and we perceive less brightness over time. That’s why older employees often need more light to see the same level of detail. Lighting design must respect these biological differences and adapt accordingly.

Inclusive Lighting Design

Inclusive office lighting means creating spaces that work for everyone, neurodivergent teams included. We plan brighter areas, neutral zones, and darker spaces for focus and calm. This diversity allows everyone to find a place that feels right, supporting comfort, equity, and individuality.

Practical Examples

Design studios often need around 750 lux to accurately perceive colors and materials.

⚙️ Production areas may require task lighting up to 1,500 lux, with darker surroundings for contrast.

💻 Co-working spaces benefit from flexible controls, allowing each user to adjust their preferred brightness.

Lighting Design Means Understanding People

Lux at the workplace isn’t a fixed figure, but a balance between standards, architecture, and perception. Those who rely only on tables miss the real purpose, to design light that unites function, wellbeing, and atmosphere.

As Sabine De Schutter puts it:

“To design light is to create spaces where everyone feels seen – regardless of age, perception, or standard.”

A modern workspace doesn’t need uniform light but thoughtful diversity. True lighting design balances empathy and efficiency, shaping environments that reflect both human needs and spatial identity.

👉 Learn how professional lighting design transforms workplaces into inspiring environments.

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Lux at the Workplace: SDS Project
Lux at the Workplace: SDS Project Pro Veg
Lux at the Workplace: SDS Project Pro Veg
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Sabine De Schutter

Founded in Berlin in 2015 by Belgian born Sabine De Schutter, Studio De Schutter reflects the strong belief that architectural lighting design is much more than just lighting up the built environment.

As independent lighting designers, the studio's focus is on user-centred design, because design is about creating meaningful spaces that positively affect people's lives. Studio De Schutter work focuses on creative lighting for working spaces, custom fixtures for heritage buildings to workshops and installations for public space.The studio's motto = #creativityisourcurrency

Sabine teaches at the HPI d.school, Hochschule Wismar, is an IALD member and the ambassador for Women in Lightingin Germany.

Studio De Schutter wurde 2015 von der in Belgien geborenen Sabine De Schutter (*1984) in Berlin gegründet. Die in Berlin lebende Designerin studierte Innenarchitektur in Antwerpen und Barcelona, hat einen zweiten Master-Abschluss in architektonischem Lichtdesign (HS Wismar) und studierte Design Thinking an der HPI d.school in Potsdam.

Das Studio De Schutter zeigt, dass es beim architektonischen Lichtdesign darum geht, Wahrnehmung zu formen und Erfahrungen zu schaffen. Für Studio De Schutter geht es beim Lichtdesign darum, eindrucksvolle Umgebungen zu schaffen, die das Leben der Menschen positiv beeinflussen. Der Benutzer steht im Mittelpunkt ihres Ansatzes und deshalb lassen sie und ihr Team sich nicht durch konventionelle Beleuchtungsstandards einschränken. Sie arbeiten eng mit ihren Kunden zusammen, um die Vision des Projekts und die Nutzerbedürfnisse zu verstehen und sie mit Licht zu akzentuieren. Das Studio De Schutter hat kreative Lichtlösungen für Arbeitsumgebungen, Lichtkunstinstallationen und kundenspezifische Leuchten in seinem Portfolio. Heute ist es ein vierköpfiges Team von internationalen Power-Frauen, die sich alle leidenschaftlich damit, wie Licht den Raum, die Erfahrungen und Emotionen formt, beschäftigt.

Sabine De Schutter lehrt an der Hochschule Wismar und ist Botschafterin für Women in Lighting (https://womeninlighting.com) in Deutschland.

https://www.studiodeschutter.com
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